Do Re MiC D E

My Man's Gone Now

Gershwin George4/4waltz
Gmaj9/B
C♯13
C♯7♭9sus4
C♯7♯9♯5
Gmaj9♯11/B
C♯7♯9♯5
Gmaj9/B
C♯13
C♯7♭9sus4
C♯7♯9♯5
Gmaj9♯11/B
C♯7♯9♯5
C13
C7♯5
C♯13
C♯9♯5
D♯13
D♯9♯5
Bm9/B
C♯7♭9♯5
Gmaj7♯11/B
C♯7♯9♯5

Chord Diagrams — My Man's Gone Now in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
Gmaj9/B
EADGBE111243
EADGBE21
3frEADGBExx2314
9frEADGBEx2143x
C♯13
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
9frEADGBE111234
F♯7♯9
2frEADGBE111324
EADGBE213334
3frEADGBExx2134
8frEADGBEx2134x
Bm9
EADGBEx1234
3frEADGBE222x14
7frEADGBE111134
10frEADGBE112234
C♯7♭9sus4
EADGBE11x234
4frEADGBEx1234
7frEADGBE3241x
9frEADGBExx1324
C♯7♯9♯5
C♯ - F - A - B - E
Gmaj9♯11/B
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
C13
3frEADGBE111134
2frEADGBE44x213
6frEADGBE222341
8frEADGBE111324
C7♯5
3frEADGBE11x432
EADGBEx213x4
8frEADGBE1x234
10frEADGBExx1423
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
C♯9♯5
3frEADGBEx21334
7frEADGBE4213x
8frEADGBE11234x
9frEADGBE11423
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
D♯9♯5
5frEADGBEx21334
EADGBE111234
9frEADGBE42x31
10frEADGBE11234x
G♯m9
4frEADGBE111134
EADGBE11143
7frEADGBE221341
9frEADGBEx21344
Bm9/B
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
C♯7♭9♯5
C♯ - F - A - B - D
Gmaj7♯11/B
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234

Explore More

My Man's Gone Now in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G (ascending half step), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to C# (ascending unison), C# to G (ascending tritone), G to C (ascending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to C# (descending major third), C# to D# (ascending whole step), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to C# (ascending whole step), C# to G (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to F# by half step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 33 bars · Form: AB

Chords: F♯m9, Gmaj9/B, C♯13, F♯7♯9, Bm9, C♯7♭9sus4, C♯7♯9♯5, Gmaj9♯11/B, C13, C7♯5, Fmaj7, C♯9♯5, D♯13, D♯9♯5, G♯m9, Bm9/B, C♯7♭9♯5, Gmaj7♯11/B.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#