Do Re MiC D E

Francisco

Nascimento Milton4/4ballad
Gm7/F
Am7/G
Gm7/F
%
Cm7/D
Cm7/G
%
A♯maj7♯5/F♯
A♯maj7/F
%
Gm7/E
%
%
%
Cm11
%
Gm7/F
%
Cm7/D
Cm7/G
%
A♯maj7♯5/F♯
A♯maj7/F
%

Chord Diagrams — Francisco in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gm7/F
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Am7/G
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
D♯maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Cm7/D
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
Cm7/G
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
A♯maj7♯5/F♯
6frEADGBE1x234x
EADGBEx1243
3frEADGBE11xx24
10frEADGBE111432
A♯maj7/F
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
Em7♭5
7frEADGBEx1324x
EADGBE33312
8frEADGBE11xx24
11frEADGBE2x341x
E7alt
7frEADGBE1234
EADGBE132xx
2frEADGBExx1243
5frEADGBE42x13
Gm7/E
8frEADGBE11x234
3frEADGBE111113
5frEADGBE11x423
10frEADGBE111132
Cm11
8frEADGBE111114
EADGBE11x234
EADGBE1111x2
6frEADGBE111342
G7♯11
9frEADGBE11x234
EADGBE111234
5frEADGBExx1234
10frEADGBE111x23
Gsus4
10frEADGBE111234
EADGBE2314
3frEADGBE111234
5frEADGBE1144x3
G7
10frEADGBE111134
EADGBE321
3frEADGBE111132
5frEADGBE11x324

Explore More

Francisco in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to A (ascending whole step), A to D# (ascending tritone), D# to C (descending minor third), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to D (ascending whole step), D to A# (descending major third), A# to A# (ascending unison), A# to E (ascending tritone), E to E (ascending unison), E to G (ascending minor third), G to C (ascending perfect fourth), C to G (descending perfect fourth), G to G (ascending unison), G to G (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to G by unison.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 47 bars · Form: AB

Chords: Gm7/F, Am7/G, D♯maj7, Cm7, Gm7, Cm7/D, Cm7/G, Dm7, A♯maj7♯5/F♯, A♯maj7/F, Em7♭5, E7alt, Gm7/E, Cm11, G7♯11, Gsus4, G7.

Scales for Improvisation G bebop minor, G bebop.

Diatonic chords: See all chords in the key of G