Do Re MiC D E

Francisco

Nascimento Milton4/4ballad
F♯m7/F
G♯m7/G
F♯m7/F
%
Bm7/D
Bm7/G
%
Amaj7♯5/F♯
Amaj7/F
%
F♯m7/E
%
%

Chord Diagrams — Francisco in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m7/F
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
G♯m7/G
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
Dmaj7
2frEADGBE111x43
EADGBE111xx
5frEADGBE111324
7frEADGBE111xx4
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Bm7/D
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Bm7/G
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Amaj7♯5/F♯
5frEADGBEx2341
EADGBE11x32
EADGBE11x23
9frEADGBE432
Amaj7/F
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
D♯7alt
6frEADGBEx123x
EADGBExx1243
4frEADGBEx4213
10frEADGBE112x43
F♯m7/E
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Bm11
5frEADGBE111342
EADGBEx123
7frEADGBE111114
9frEADGBE1122xx
F♯7♯11
4frEADGBExx1234
EADGBE111234
8frEADGBE11x234
9frEADGBE111x23
F♯sus4
4frEADGBE11x234
EADGBE111234
9frEADGBE111234
11frEADGBE11xx24
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134

Explore More

Francisco in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G# (ascending whole step), G# to D (ascending tritone), D to B (descending minor third), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to C# (ascending whole step), C# to A (descending major third), A to A (ascending unison), A to D# (ascending tritone), D# to D# (ascending unison), D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to F# (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 47 bars · Form: AB

Chords: F♯m7/F, G♯m7/G, Dmaj7, Bm7, F♯m7, Bm7/D, Bm7/G, C♯m7, Amaj7♯5/F♯, Amaj7/F, D♯m7♭5, D♯7alt, F♯m7/E, Bm11, F♯7♯11, F♯sus4, F♯7.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#