Do Re MiC D E

Francisco

Nascimento Milton4/4ballad
G♯m7/F
A♯m7/G
G♯m7/F
%
C♯m7/D
C♯m7/G
%
Bmaj7♯5/F♯
Bmaj7/F
%
G♯m7/E
%
%

Chord Diagrams — Francisco in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m7/F
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
A♯m7/G
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
Emaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯m7/D
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
C♯m7/G
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Bmaj7♯5/F♯
6frEADGBE2133x
EADGBEx2134
2frEADGBEx1423x
11frEADGBE111432
Bmaj7/F
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
Fm7♭5
8frEADGBEx1324x
EADGBE1x23x
EADGBE222xx1
11frEADGBE2134x
F7alt
8frEADGBEx1234x
EADGBE1243x
3frEADGBExx123
12frEADGBE112x43
G♯m7/E
9frEADGBE11x23x
4frEADGBE111113
6frEADGBE11x423
11frEADGBE111132
C♯m11
9frEADGBE111114
EADGBE111x23
7frEADGBE111342
11frEADGBE11xx23
G♯7♯11
10frEADGBE11x234
3frEADGBE2x341x
6frEADGBExx1234
11frEADGBE111x23
G♯sus4
11frEADGBE111234
EADGBE11xx24
4frEADGBE111234
6frEADGBE11x234
G♯7
11frEADGBE111134
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324

Explore More

Francisco in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A# (ascending whole step), A# to E (ascending tritone), E to C# (descending minor third), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to D# (ascending whole step), D# to B (descending major third), B to B (ascending unison), B to F (ascending tritone), F to F (ascending unison), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to G# (ascending unison), G# to G# (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 47 bars · Form: AB

Chords: G♯m7/F, A♯m7/G, Emaj7, C♯m7, G♯m7, C♯m7/D, C♯m7/G, D♯m7, Bmaj7♯5/F♯, Bmaj7/F, Fm7♭5, F7alt, G♯m7/E, C♯m11, G♯7♯11, G♯sus4, G♯7.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#