Do Re MiC D E

Francisco

Nascimento Milton4/4ballad
Fm7/F
Gm7/G
Fm7/F
%
A♯m7/D
A♯m7/G
%
G♯maj7♯5/F♯
G♯maj7/F
%
Fm7/E
%
%
%
A♯m11
%
Fm7/F
%
A♯m7/D
A♯m7/G
%
G♯maj7♯5/F♯
G♯maj7/F
%

Chord Diagrams — Francisco in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fm7/F
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Gm7/G
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
C♯maj7
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
A♯m7/D
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
A♯m7/G
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
G♯maj7♯5/F♯
EADGBE4321
3frEADGBE2134
8frEADGBE111432
11frEADGBEx1423x
G♯maj7/F
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Dm7♭5
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432
D7alt
3frEADGBEx42x13
EADGBExx132
5frEADGBEx1234x
9frEADGBEx3412
Fm7/E
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯m11
4frEADGBE111342
6frEADGBE111114
8frEADGBE11xx23
11frEADGBE11x234
F7♯11
3frEADGBExx1234
EADGBE123
7frEADGBE11x234
8frEADGBE111x23
Fsus4
3frEADGBExx1234
EADGBE111234
8frEADGBE111234
10frEADGBE11xx2x
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2

Explore More

Francisco in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to G (ascending whole step), G to C# (ascending tritone), C# to A# (descending minor third), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to C (ascending whole step), C to G# (descending major third), G# to G# (ascending unison), G# to D (ascending tritone), D to D (ascending unison), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to F (ascending unison), F to F (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to F by unison.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 47 bars · Form: AB

Chords: Fm7/F, Gm7/G, C♯maj7, A♯m7, Fm7, A♯m7/D, A♯m7/G, Cm7, G♯maj7♯5/F♯, G♯maj7/F, Dm7♭5, D7alt, Fm7/E, A♯m11, F7♯11, Fsus4, F7.

Scales for Improvisation F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F