Do Re MiC D E

Francisco

Nascimento Milton4/4ballad
Em7/F
F♯m7/G
Em7/F
%
Am7/D
Am7/G
%
Gmaj7♯5/F♯
Gmaj7/F
%
Em7/E
%
%

Chord Diagrams — Francisco in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em7/F
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
F♯m7/G
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
Am7/D
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Am7/G
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Gmaj7♯5/F♯
EADGBExx13
EADGBE1x234x
7frEADGBE111432
10frEADGBEx1423x
Gmaj7/F
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
C♯7alt
3frEADGBEx2341
EADGBEx4321
4frEADGBEx1234x
8frEADGBExx4312
Em7/E
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Am11
3frEADGBE111342
EADGBEx1
5frEADGBE111114
10frEADGBE11x234
E7♯11
3frEADGBE3142
EADGBE12
6frEADGBE11x234
11frEADGBE111234
Esus4
2frEADGBE11234
EADGBE234
7frEADGBE111234
9frEADGBE11xx2
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2

Explore More

Francisco in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to C (ascending tritone), C to A (descending minor third), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to B (ascending whole step), B to G (descending major third), G to G (ascending unison), G to C# (ascending tritone), C# to C# (ascending unison), C# to E (ascending minor third), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to E (ascending unison), E to E (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to E by unison.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 47 bars · Form: AB

Chords: Em7/F, F♯m7/G, Cmaj7, Am7, Em7, Am7/D, Am7/G, Bm7, Gmaj7♯5/F♯, Gmaj7/F, C♯m7♭5, C♯7alt, Em7/E, Am11, E7♯11, Esus4, E7.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E