Do Re MiC D E

Francisco

Nascimento Milton4/4ballad
Cm7/F
Dm7/G
Cm7/F
%
Fm7/D
Fm7/G
%
D♯maj7♯5/F♯
D♯maj7/F
%
Cm7/E
%
%
%
Fm11
%
Cm7/F
%
Fm7/D
Fm7/G
%
D♯maj7♯5/F♯
D♯maj7/F
%

Chord Diagrams — Francisco in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm7/F
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Dm7/G
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
Fm7/D
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Fm7/G
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
D♯maj7♯5/F♯
3frEADGBE111432
5frEADGBEx213x4
6frEADGBEx1423x
11frEADGBE11x234
D♯maj7/F
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Am7♭5
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
A7alt
4frEADGBEx4312
EADGBEx123x
8frEADGBEx4132
12frEADGBEx1234x
Cm7/E
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Fm11
EADGBE11xx23
EADGBE111114
6frEADGBE11x234
11frEADGBE111342
C7♯11
3frEADGBE111x23
EADGBE11x234
7frEADGBE111234
10frEADGBExx1234
Csus4
3frEADGBE111234
EADGBE11x34
6frEADGBE23x14
8frEADGBE111234
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132

Explore More

Francisco in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to D (ascending whole step), D to G# (ascending tritone), G# to F (descending minor third), F to C (descending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to G (ascending whole step), G to D# (descending major third), D# to D# (ascending unison), D# to A (ascending tritone), A to A (ascending unison), A to C (ascending minor third), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to C (ascending unison), C to C (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to C by unison.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 47 bars · Form: AB

Chords: Cm7/F, Dm7/G, G♯maj7, Fm7, Cm7, Fm7/D, Fm7/G, Gm7, D♯maj7♯5/F♯, D♯maj7/F, Am7♭5, A7alt, Cm7/E, Fm11, C7♯11, Csus4, C7.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C