Do Re MiC D E

Francisco

Nascimento Milton4/4ballad
A♯m7/F
Cm7/G
A♯m7/F
%
D♯m7/D
D♯m7/G
%
C♯maj7♯5/F♯
C♯maj7/F
%
A♯m7/E
%
%

Chord Diagrams — Francisco in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯m7/F
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Cm7/G
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯m7/D
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
D♯m7/G
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
C♯maj7♯5/F♯
8frEADGBExx4231
EADGBE111432
4frEADGBEx1423x
11frEADGBExx1423
C♯maj7/F
9frEADGBE1x342x
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
Gm7♭5
10frEADGBEx1324x
EADGBE3xx421
EADGBE2x341x
5frEADGBE222xx1
G7alt
10frEADGBEx1234x
EADGBE31x24
5frEADGBExx123
9frEADGBEx312
A♯m7/E
8frEADGBE11x423
EADGBE111x32
EADGBExx2314
6frEADGBE111113
D♯m11
9frEADGBE111342
EADGBE11xx34
4frEADGBE11x234
11frEADGBE111114
A♯7♯11
8frEADGBExx1234
EADGBEx123
5frEADGBE11123x
12frEADGBE11x234
A♯sus4
8frEADGBE11x234
EADGBE11x234
3frEADGBE11xx24
6frEADGBE111333
A♯7
8frEADGBE11x324
EADGBE111x34
6frEADGBE111132
11frEADGBEx3241x

Explore More

Francisco in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C (ascending whole step), C to F# (ascending tritone), F# to D# (descending minor third), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to F (ascending whole step), F to C# (descending major third), C# to C# (ascending unison), C# to G (ascending tritone), G to G (ascending unison), G to A# (ascending minor third), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 47 bars · Form: AB

Chords: A♯m7/F, Cm7/G, F♯maj7, D♯m7, A♯m7, D♯m7/D, D♯m7/G, Fm7, C♯maj7♯5/F♯, C♯maj7/F, Gm7♭5, G7alt, A♯m7/E, D♯m11, A♯7♯11, A♯sus4, A♯7.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#