Do Re MiC D E

Francisco

Nascimento Milton4/4ballad
Bm7/F
C♯m7/G
Bm7/F
%
Em7/D
Em7/G
%
Dmaj7♯5/F♯
Dmaj7/F
%
Bm7/E
%
%

Chord Diagrams — Francisco in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm7/F
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
C♯m7/G
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Gmaj7
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Em7/D
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Em7/G
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Dmaj7♯5/F♯
EADGBExx423
2frEADGBE111432
5frEADGBEx1243
9frEADGBExx231
Dmaj7/F
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
G♯m7♭5
EADGBExx13
EADGBE2x341x
6frEADGBE222xx1
11frEADGBEx1324x
G♯7alt
3frEADGBExx4312
6frEADGBExx1243
10frEADGBE1144x2
11frEADGBEx1234x
Bm7/E
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Em11
3frEADGBE321
EADGBE1
5frEADGBE11x234
10frEADGBE111342
B7♯11
EADGBE111x23
EADGBE11x234
6frEADGBE2x341x
9frEADGBExx1234
Bsus4
2frEADGBE111234
4frEADGBE11xx24
7frEADGBE111234
9frEADGBE1144x3
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132

Explore More

Francisco in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to C# (ascending whole step), C# to G (ascending tritone), G to E (descending minor third), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to F# (ascending whole step), F# to D (descending major third), D to D (ascending unison), D to G# (ascending tritone), G# to G# (ascending unison), G# to B (ascending minor third), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to B (ascending unison), B to B (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 47 bars · Form: AB

Chords: Bm7/F, C♯m7/G, Gmaj7, Em7, Bm7, Em7/D, Em7/G, F♯m7, Dmaj7♯5/F♯, Dmaj7/F, G♯m7♭5, G♯7alt, Bm7/E, Em11, B7♯11, Bsus4, B7.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B