Do Re MiC D E

Francisco

Nascimento Milton4/4ballad
Am7/F
Bm7/G
Am7/F
%
Dm7/D
Dm7/G
%
Cmaj7♯5/F♯
Cmaj7/F
%
Am7/E
%
%

Chord Diagrams — Francisco in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am7/F
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Bm7/G
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Dm7/D
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Dm7/G
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
Cmaj7♯5/F♯
5frEADGBE4321
EADGBEx321
3frEADGBEx1423
8frEADGBE1432
Cmaj7/F
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
F♯m7♭5
4frEADGBE222xx1
EADGBE2341
9frEADGBEx1324x
10frEADGBE11xx24
F♯7alt
4frEADGBExx1243
EADGBExx4312
EADGBE11243x
9frEADGBE11x234
Am7/E
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Dm11
3frEADGBE11x234
EADGBE11xx
8frEADGBE111342
10frEADGBE111114
A7♯11
4frEADGBE111234
EADGBEx13
7frEADGBExx1234
11frEADGBE11x234
Asus4
EADGBExx1
EADGBEx123
5frEADGBE111333
7frEADGBE11x234
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324

Explore More

Francisco in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to B (ascending whole step), B to F (ascending tritone), F to D (descending minor third), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to E (ascending whole step), E to C (descending major third), C to C (ascending unison), C to F# (ascending tritone), F# to F# (ascending unison), F# to A (ascending minor third), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to A (ascending unison), A to A (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 47 bars · Form: AB

Chords: Am7/F, Bm7/G, Fmaj7, Dm7, Am7, Dm7/D, Dm7/G, Em7, Cmaj7♯5/F♯, Cmaj7/F, F♯m7♭5, F♯7alt, Am7/E, Dm11, A7♯11, Asus4, A7.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A