Do Re MiC D E

So Amazing

Vandross Luther4/4ballad♩= 67
G6/D♯
G6/E
%
%
A/D♯
C/F♯
C/F♯
C/F♯
A/D♯
Cmaj9
C/F♯
Cmaj9
Cmaj
A/D♯
D/A♭
Dmaj9
D/A♭
D/A♭
Dmaj9
D/A♭
D/A♭

Chord Diagrams — So Amazing in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G6/D♯
5frEADGBE111x34
EADGBE21
EADGBE2x143x
10frEADGBE3333x1
G6/E
5frEADGBE111x34
EADGBE21
EADGBE2x143x
10frEADGBE3333x1
A/D♯
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
C/F♯
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Cmaj9
5frEADGBE11113
EADGBEx3
EADGBE22143x
8frEADGBE11x234
Cmaj
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
D/A♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Dmaj9
4frEADGBEx2143x
2frEADGBE1111x4
7frEADGBEx2314
10frEADGBE11x234

Explore More

So Amazing in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to G (ascending unison), G to A (ascending whole step), A to G (descending whole step), G to E (descending minor third), E to B (descending perfect fourth), B to C (ascending half step), C to A (descending minor third), A to C (ascending minor third), C to D (ascending whole step), D to C (descending whole step), C to C (ascending unison), C to A (descending minor third), A to F# (descending minor third), F# to C# (descending perfect fourth), C# to D (ascending half step), D to D (ascending unison), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 50 bars · Form: ABC

Chords: G6/D♯, G6/E, A/D♯, G, Em7, Bm7, Cmaj7, Am7, C/F♯, D7, Cmaj9, Cmaj, A, F♯m7, C♯m7, Dmaj7, D/A♭, Dmaj9.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G