Do Re MiC D E

So Amazing

Vandross Luther4/4ballad♩= 67
F♯maj9
F♯/F♯
F♯maj9
F♯maj
D♯/D♯
G♯/A♭
G♯maj9
G♯/A♭
G♯/A♭
G♯maj9
G♯/A♭
G♯/A♭

Chord Diagrams — So Amazing in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯6/D♯
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324
C♯6/E
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324
D♯/D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
F♯maj7
9frEADGBE111324
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
D♯m7
11frEADGBE111114
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
F♯/F♯
9frEADGBE111234
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
G♯7
11frEADGBE111134
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
F♯maj9
8frEADGBE22143x
EADGBE111243
EADGBE11x234
3frEADGBExx2143
F♯maj
9frEADGBE111234
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
D♯
8frEADGBE111xx4
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
Gm7
8frEADGBE11x234
3frEADGBE111113
5frEADGBE11x423
10frEADGBE111132
G♯maj7
9frEADGBEx3241x
4frEADGBE111423
6frEADGBE11x333
11frEADGBE111324
G♯/A♭
8frEADGBE111432
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
G♯maj9
10frEADGBE22143x
EADGBE1111x4
3frEADGBE111243
4frEADGBE113224

Explore More

So Amazing in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to D# (ascending whole step), D# to C# (descending whole step), C# to A# (descending minor third), A# to F (descending perfect fourth), F to F# (ascending half step), F# to D# (descending minor third), D# to F# (ascending minor third), F# to G# (ascending whole step), G# to F# (descending whole step), F# to F# (ascending unison), F# to D# (descending minor third), D# to C (descending minor third), C to G (descending perfect fourth), G to G# (ascending half step), G# to G# (ascending unison), G# to G# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to C# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 50 bars · Form: ABC

Chords: C♯6/D♯, C♯6/E, D♯/D♯, C♯, A♯m7, Fm7, F♯maj7, D♯m7, F♯/F♯, G♯7, F♯maj9, F♯maj, D♯, Cm7, Gm7, G♯maj7, G♯/A♭, G♯maj9.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#