Do Re MiC D E

So Amazing

Vandross Luther4/4ballad♩= 67

Chord Diagrams — So Amazing in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯6/D♯
4frEADGBE111x34
EADGBE2x143x
EADGBE11x324
9frEADGBE3333x1
F♯6/E
4frEADGBE111x34
EADGBE2x143x
EADGBE11x324
9frEADGBE3333x1
G♯/D♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
B/F♯
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
Bmaj9
6frEADGBE11243x
EADGBE22143x
4frEADGBE11xx34
8frEADGBExx2143
Bmaj
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
G♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
C♯maj7
9frEADGBE1x342x
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
C♯/A♭
9frEADGBE111342
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
C♯maj9
8frEADGBE111243
EADGBE1111x4
3frEADGBEx2143x
10frEADGBExx2143

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So Amazing in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to G# (ascending whole step), G# to F# (descending whole step), F# to D# (descending minor third), D# to A# (descending perfect fourth), A# to B (ascending half step), B to G# (descending minor third), G# to B (ascending minor third), B to C# (ascending whole step), C# to B (descending whole step), B to B (ascending unison), B to G# (descending minor third), G# to F (descending minor third), F to C (descending perfect fourth), C to C# (ascending half step), C# to C# (ascending unison), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 50 bars · Form: ABC

Chords: F♯6/D♯, F♯6/E, G♯/D♯, F♯, D♯m7, A♯m7, Bmaj7, G♯m7, B/F♯, C♯7, Bmaj9, Bmaj, G♯, Fm7, Cm7, C♯maj7, C♯/A♭, C♯maj9.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#