Do Re MiC D E

So Amazing

Vandross Luther4/4ballad♩= 67

Chord Diagrams — So Amazing in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E6/D♯
5frEADGBEx4231x
EADGBE2314
EADGBE11134
7frEADGBE3333x1
E6/E
5frEADGBEx4231x
EADGBE2314
EADGBE11134
7frEADGBE3333x1
F♯/D♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
A/F♯
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
Amaj9
4frEADGBE11243
EADGBE11x34
5frEADGBEx2314
11frEADGBE22143x
Amaj
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
B/A♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
Bmaj9
6frEADGBE11243x
EADGBE22143x
4frEADGBE11xx34
8frEADGBExx2143

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So Amazing in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to F# (ascending whole step), F# to E (descending whole step), E to C# (descending minor third), C# to G# (descending perfect fourth), G# to A (ascending half step), A to F# (descending minor third), F# to A (ascending minor third), A to B (ascending whole step), B to A (descending whole step), A to A (ascending unison), A to F# (descending minor third), F# to D# (descending minor third), D# to A# (descending perfect fourth), A# to B (ascending half step), B to B (ascending unison), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 50 bars · Form: ABC

Chords: E6/D♯, E6/E, F♯/D♯, E, C♯m7, G♯m7, Amaj7, F♯m7, A/F♯, B7, Amaj9, Amaj, F♯, D♯m7, A♯m7, Bmaj7, B/A♭, Bmaj9.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E