Do Re MiC D E

So Amazing

Vandross Luther4/4ballad♩= 67
G♯6/D♯
G♯6/E
%
%
A♯/D♯
C♯/F♯
C♯/F♯
C♯/F♯
A♯/D♯
C♯/F♯
C♯/F♯
C♯/F♯
A♯/D♯
C♯maj9
C♯/F♯
C♯maj9
C♯maj
A♯/D♯
C♯maj9
C♯/F♯
C♯maj9
C♯maj
A♯/D♯
D♯/A♭
D♯maj9
D♯/A♭
D♯/A♭
D♯maj9
D♯/A♭
D♯/A♭

Chord Diagrams — So Amazing in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯6/D♯
3frEADGBE2x143x
EADGBE1111x3
6frEADGBE111x34
9frEADGBEx4231x
G♯6/E
3frEADGBE2x143x
EADGBE1111x3
6frEADGBE111x34
9frEADGBEx4231x
A♯/D♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
C♯/F♯
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
C♯maj9
8frEADGBE111243
EADGBE1111x4
3frEADGBEx2143x
10frEADGBExx2143
C♯maj
9frEADGBE111342
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
A♯
8frEADGBE11x243
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
Gm7
8frEADGBE11x234
3frEADGBE111113
5frEADGBE11x423
10frEADGBE111132
Dm7
10frEADGBE111113
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
D♯maj7
8frEADGBE111xx4
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
D♯/A♭
8frEADGBE111xx4
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
D♯maj9
8frEADGBE1111x4
3frEADGBE1111x4
5frEADGBEx2143x
11frEADGBExx2314

Explore More

So Amazing in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to A# (ascending whole step), A# to G# (descending whole step), G# to F (descending minor third), F to C (descending perfect fourth), C to C# (ascending half step), C# to A# (descending minor third), A# to C# (ascending minor third), C# to D# (ascending whole step), D# to C# (descending whole step), C# to C# (ascending unison), C# to A# (descending minor third), A# to G (descending minor third), G to D (descending perfect fourth), D to D# (ascending half step), D# to D# (ascending unison), D# to D# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 50 bars · Form: ABC

Chords: G♯6/D♯, G♯6/E, A♯/D♯, G♯, Fm7, Cm7, C♯maj7, A♯m7, C♯/F♯, D♯7, C♯maj9, C♯maj, A♯, Gm7, Dm7, D♯maj7, D♯/A♭, D♯maj9.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#