Do Re MiC D E

So Amazing

Vandross Luther4/4ballad♩= 67

Chord Diagrams — So Amazing in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B6/D♯
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
B6/E
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
C♯/D♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
E/F♯
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
Emaj9
6frEADGBEx2143x
EADGBE3124
EADGBE111234
9frEADGBE11xx34
Emaj
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
C♯
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
F♯maj7
9frEADGBE111324
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
F♯/A♭
9frEADGBE111234
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
F♯maj9
8frEADGBE22143x
EADGBE111243
EADGBE11x234
3frEADGBExx2143

Explore More

So Amazing in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to C# (ascending whole step), C# to B (descending whole step), B to G# (descending minor third), G# to D# (descending perfect fourth), D# to E (ascending half step), E to C# (descending minor third), C# to E (ascending minor third), E to F# (ascending whole step), F# to E (descending whole step), E to E (ascending unison), E to C# (descending minor third), C# to A# (descending minor third), A# to F (descending perfect fourth), F to F# (ascending half step), F# to F# (ascending unison), F# to F# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 50 bars · Form: ABC

Chords: B6/D♯, B6/E, C♯/D♯, B, G♯m7, D♯m7, Emaj7, C♯m7, E/F♯, F♯7, Emaj9, Emaj, C♯, A♯m7, Fm7, F♯maj7, F♯/A♭, F♯maj9.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B