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So Amazing

Vandross Luther4/4ballad♩= 67

Chord Diagrams — So Amazing in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A6/D♯
4frEADGBE2x143x
EADGBE1111x
5frEADGBE113x24
10frEADGBEx4231x
A6/E
4frEADGBE2x143x
EADGBE1111x
5frEADGBE113x24
10frEADGBEx4231x
B/D♯
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
D/F♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Dmaj9
4frEADGBEx2143x
2frEADGBE1111x4
7frEADGBEx2314
10frEADGBE11x234
Dmaj
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
E/A♭
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
Emaj9
6frEADGBEx2143x
EADGBE3124
EADGBE111234
9frEADGBE11xx34

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So Amazing in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to B (ascending whole step), B to A (descending whole step), A to F# (descending minor third), F# to C# (descending perfect fourth), C# to D (ascending half step), D to B (descending minor third), B to D (ascending minor third), D to E (ascending whole step), E to D (descending whole step), D to D (ascending unison), D to B (descending minor third), B to G# (descending minor third), G# to D# (descending perfect fourth), D# to E (ascending half step), E to E (ascending unison), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 50 bars · Form: ABC

Chords: A6/D♯, A6/E, B/D♯, A, F♯m7, C♯m7, Dmaj7, Bm7, D/F♯, E7, Dmaj9, Dmaj, B, G♯m7, D♯m7, Emaj7, E/A♭, Emaj9.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A