Do Re MiC D E

So Amazing

Vandross Luther4/4ballad♩= 67
C6/D♯
C6/E
%
%
D/D♯
F/F♯
F/F♯
F/F♯
D/D♯
Fmaj9
F/F♯
Fmaj9
Fmaj
D/D♯
G/A♭
Gmaj9
G/A♭
G/A♭
Gmaj9
G/A♭
G/A♭

Chord Diagrams — So Amazing in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C6/D♯
3frEADGBE3333x1
EADGBEx4231
7frEADGBE2x143x
8frEADGBE11x324
C6/E
3frEADGBE3333x1
EADGBEx4231
7frEADGBE2x143x
8frEADGBE11x324
D/D♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
Fmaj7
8frEADGBE111324
EADGBExx321
EADGBE111423
3frEADGBE11x333
Dm7
10frEADGBE111113
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
F/F♯
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
G7
10frEADGBE111134
EADGBE321
3frEADGBE111132
5frEADGBE11x324
Fmaj9
10frEADGBE11xx34
EADGBE132
EADGBExx2314
7frEADGBEx2143x
Fmaj
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
D
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
Bm7
9frEADGBE11x423
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
Gmaj7
10frEADGBE11x324
EADGBE321
3frEADGBE111423
5frEADGBE11333x
G/A♭
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
Gmaj9
9frEADGBEx2143x
EADGBE21
EADGBE111243
3frEADGBExx2314

Explore More

So Amazing in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to D (ascending whole step), D to C (descending whole step), C to A (descending minor third), A to E (descending perfect fourth), E to F (ascending half step), F to D (descending minor third), D to F (ascending minor third), F to G (ascending whole step), G to F (descending whole step), F to F (ascending unison), F to D (descending minor third), D to B (descending minor third), B to F# (descending perfect fourth), F# to G (ascending half step), G to G (ascending unison), G to G (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 50 bars · Form: ABC

Chords: C6/D♯, C6/E, D/D♯, C, Am7, Em7, Fmaj7, Dm7, F/F♯, G7, Fmaj9, Fmaj, D, Bm7, F♯m7, Gmaj7, G/A♭, Gmaj9.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C