Do Re MiC D E

See Emily Play

Pink Floyd (Syd Barrett)4/4rock♩= 129
G♯5
G♯m6/D
G♯m/D
%
G♯m6/D
%
C♯/F♯
G♯m/E
Bmaj7/B
F♯/B
F♯/D
%
%
%
C♯/F♯
G♯m/E
Bmaj7/B
F♯/B
F♯/D

Chord Diagrams — See Emily Play in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯5
G♯ - D♯
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G♯m6/D
4frEADGBE111234
EADGBE2x134x
6frEADGBE111x32
9frEADGBE11x324
G♯m6
4frEADGBE111234
EADGBE2x134x
6frEADGBE111x32
9frEADGBE11x324
G♯m/D
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C♯/F♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G♯m/E
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
Bmaj7/B
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
F♯/B
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
F♯/D
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134

Explore More

See Emily Play in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to B (ascending unison), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to D# (descending minor third), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to G# (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 74 bars · Form: AB

Chords: G♯5, G♯m, G♯m6/D, G♯m6, G♯m/D, F♯, C♯/F♯, G♯m/E, Bmaj7/B, Bmaj7, F♯/B, F♯/D, D♯, C♯, G♯, G♯7.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#