Do Re MiC D E

See Emily Play

Pink Floyd (Syd Barrett)4/4rock♩= 129
F5
Fm6/D
Fm/D
%
Fm6/D
%
A♯/F♯
Fm/E
G♯maj7/B
D♯/B
D♯/D
%
%
%
A♯/F♯
Fm/E
G♯maj7/B
D♯/B
D♯/D

Chord Diagrams — See Emily Play in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F5
F - C
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
Fm6/D
3frEADGBE11xx32
EADGBE1x234
6frEADGBE11x324
9frEADGBExx2314
Fm6
3frEADGBE11xx32
EADGBE1x234
6frEADGBE11x324
9frEADGBExx2314
Fm/D
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
A♯/F♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Fm/E
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
G♯maj7/B
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
D♯/B
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D♯/D
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
C
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2

Explore More

See Emily Play in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to G# (ascending minor third), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to C (descending minor third), C to A# (descending whole step), A# to F (descending perfect fourth), F to F (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to F by unison.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 74 bars · Form: AB

Chords: F5, Fm, Fm6/D, Fm6, Fm/D, D♯, A♯/F♯, Fm/E, G♯maj7/B, G♯maj7, D♯/B, D♯/D, C, A♯, F, F7.

Scales for Improvisation F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F