Do Re MiC D E

See Emily Play

Pink Floyd (Syd Barrett)4/4rock♩= 129
E5
Em6/D
Em/D
%
Em6/D
%
A/F♯
Em/E
Gmaj7/B
D/B
D/D
%
%
%
A/F♯
Em/E
Gmaj7/B
D/B
D/D
%
%
E5
%
%
%
Em/D
%
%
A/F♯
Em/E
Gmaj7/B
D/B
D/D
%

Chord Diagrams — See Emily Play in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E5
E - B
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Em6/D
EADGBE11132
EADGBE123
5frEADGBE11x324
8frEADGBExx2314
Em6
EADGBE11132
EADGBE123
5frEADGBE11x324
8frEADGBExx2314
Em/D
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
A/F♯
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
Em/E
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
Gmaj7/B
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
D/B
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
D/D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2

Explore More

See Emily Play in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to E (ascending unison), E to E (ascending unison), E to E (ascending unison), E to D (descending whole step), D to A (descending perfect fourth), A to E (descending perfect fourth), E to G (ascending minor third), G to G (ascending unison), G to D (descending perfect fourth), D to D (ascending unison), D to B (descending minor third), B to A (descending whole step), A to E (descending perfect fourth), E to E (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to E by unison.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 74 bars · Form: AB

Chords: E5, Em, Em6/D, Em6, Em/D, D, A/F♯, Em/E, Gmaj7/B, Gmaj7, D/B, D/D, B, A, E, E7.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E