Do Re MiC D E

See Emily Play

Pink Floyd (Syd Barrett)4/4rock♩= 129
B5
Bm6/D
Bm/D
%
Bm6/D
%
E/F♯
Bm/E
Dmaj7/B
A/B
A/D
%
%
%
E/F♯
Bm/E
Dmaj7/B
A/B
A/D
%
%
B5
%
%
%
Bm/D
%
%
E/F♯
Bm/E
Dmaj7/B
A/B
A/D
%

Chord Diagrams — See Emily Play in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B5
B - F♯
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm6/D
EADGBExx2314
EADGBE2314
6frEADGBE2x134x
7frEADGBE111234
Bm6
EADGBExx2314
EADGBE2314
6frEADGBE2x134x
7frEADGBE111234
Bm/D
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
E/F♯
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
Bm/E
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Dmaj7/B
2frEADGBE111x43
EADGBE111xx
5frEADGBE111324
7frEADGBE111xx4
Dmaj7
2frEADGBE111x43
EADGBE111xx
5frEADGBE111324
7frEADGBE111xx4
A/B
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
A/D
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132

Explore More

See Emily Play in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to A (descending whole step), A to E (descending perfect fourth), E to B (descending perfect fourth), B to D (ascending minor third), D to D (ascending unison), D to A (descending perfect fourth), A to A (ascending unison), A to F# (descending minor third), F# to E (descending whole step), E to B (descending perfect fourth), B to B (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 74 bars · Form: AB

Chords: B5, Bm, Bm6/D, Bm6, Bm/D, A, E/F♯, Bm/E, Dmaj7/B, Dmaj7, A/B, A/D, F♯, E, B, B7.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B