Do Re MiC D E

See Emily Play

Pink Floyd (Syd Barrett)4/4rock♩= 129
A5
Am6/D
Am/D
%
Am6/D
%
D/F♯
Am/E
Cmaj7/B
G/B
G/D
%
%
%
D/F♯
Am/E
Cmaj7/B
G/B
G/D
%
%
A5
%
%
%
Am/D
%
%
D/F♯
Am/E
Cmaj7/B
G/B
G/D
%

Chord Diagrams — See Emily Play in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A5
A - E
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Am6/D
5frEADGBE111234
EADGBEx2314
4frEADGBE2x1334
7frEADGBE111x32
Am6
5frEADGBE111234
EADGBEx2314
4frEADGBE2x1334
7frEADGBE111x32
Am/D
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
D/F♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Am/E
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Cmaj7/B
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
G/B
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
G/D
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324

Explore More

See Emily Play in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to A (ascending unison), A to A (ascending unison), A to A (ascending unison), A to G (descending whole step), G to D (descending perfect fourth), D to A (descending perfect fourth), A to C (ascending minor third), C to C (ascending unison), C to G (descending perfect fourth), G to G (ascending unison), G to E (descending minor third), E to D (descending whole step), D to A (descending perfect fourth), A to A (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 74 bars · Form: AB

Chords: A5, Am, Am6/D, Am6, Am/D, G, D/F♯, Am/E, Cmaj7/B, Cmaj7, G/B, G/D, E, D, A, A7.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A