Do Re MiC D E

See Emily Play

Pink Floyd (Syd Barrett)4/4rock♩= 129
C♯5
C♯m6/D
C♯m/D
%
C♯m6/D
%
F♯/F♯
C♯m/E
Emaj7/B
B/B
B/D
%
%
%
F♯/F♯
C♯m/E
Emaj7/B
B/B
B/D

Chord Diagrams — See Emily Play in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯5
C♯ - G♯
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯m6/D
5frEADGBExx2314
EADGBE11x324
8frEADGBE2x134x
9frEADGBE111234
C♯m6
5frEADGBExx2314
EADGBE11x324
8frEADGBE2x134x
9frEADGBE111234
C♯m/D
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯/F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C♯m/E
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
Emaj7/B
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
B/B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
B/D
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132

Explore More

See Emily Play in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to C# (ascending unison), C# to C# (ascending unison), C# to C# (ascending unison), C# to B (descending whole step), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to E (ascending minor third), E to E (ascending unison), E to B (descending perfect fourth), B to B (ascending unison), B to G# (descending minor third), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to C# (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 74 bars · Form: AB

Chords: C♯5, C♯m, C♯m6/D, C♯m6, C♯m/D, B, F♯/F♯, C♯m/E, Emaj7/B, Emaj7, B/B, B/D, G♯, F♯, C♯, C♯7.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#