Do Re MiC D E

See Emily Play

Pink Floyd (Syd Barrett)4/4rock♩= 129
A♯5
A♯m6/D
A♯m/D
%
A♯m6/D
%
D♯/F♯
A♯m/E
C♯maj7/B
G♯/B
G♯/D
%
%
%
D♯/F♯
A♯m/E
C♯maj7/B
G♯/B
G♯/D

Chord Diagrams — See Emily Play in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯5
A♯ - F
A♯m
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
A♯m6/D
6frEADGBE111234
EADGBEx13x24
3frEADGBEx2314x
5frEADGBE2x1334
A♯m6
6frEADGBE111234
EADGBEx13x24
3frEADGBEx2314x
5frEADGBE2x1334
A♯m/D
6frEADGBE111134
EADGBE11x342
6frEADGBE111xx3
8frEADGBExx1342
G♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
D♯/F♯
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
A♯m/E
6frEADGBE111134
EADGBE11x342
6frEADGBE111xx3
8frEADGBExx1342
C♯maj7/B
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
C♯maj7
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
G♯/B
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
G♯/D
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
F
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
D♯
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
A♯
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x

Explore More

See Emily Play in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to A# (ascending unison), A# to A# (ascending unison), A# to A# (ascending unison), A# to G# (descending whole step), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to C# (ascending minor third), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to G# (ascending unison), G# to F (descending minor third), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to A# (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 74 bars · Form: AB

Chords: A♯5, A♯m, A♯m6/D, A♯m6, A♯m/D, G♯, D♯/F♯, A♯m/E, C♯maj7/B, C♯maj7, G♯/B, G♯/D, F, D♯, A♯, A♯7.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#