Do Re MiC D E

See Emily Play

Pink Floyd (Syd Barrett)4/4rock♩= 129
C5
Cm6/D
Cm/D
%
Cm6/D
%
F/F♯
Cm/E
D♯maj7/B
A♯/B
A♯/D
%
%
%
F/F♯
Cm/E
D♯maj7/B
A♯/B
A♯/D
%
%
C5
%
%
%
Cm/D
%
%
F/F♯
Cm/E
D♯maj7/B
A♯/B
A♯/D
%

Chord Diagrams — See Emily Play in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C5
C - G
Cm
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
Cm6/D
3frEADGBEx13x24
EADGBE11x324
7frEADGBE2x1334
8frEADGBE111234
Cm6
3frEADGBEx13x24
EADGBE11x324
7frEADGBE2x1334
8frEADGBE111234
Cm/D
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
F/F♯
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
Cm/E
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
D♯maj7/B
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
D♯maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
A♯/B
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
A♯/D
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
C
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132

Explore More

See Emily Play in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to A# (descending whole step), A# to F (descending perfect fourth), F to C (descending perfect fourth), C to D# (ascending minor third), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to G (descending minor third), G to F (descending whole step), F to C (descending perfect fourth), C to C (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to C by unison.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 74 bars · Form: AB

Chords: C5, Cm, Cm6/D, Cm6, Cm/D, A♯, F/F♯, Cm/E, D♯maj7/B, D♯maj7, A♯/B, A♯/D, G, F, C, C7.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C