Do Re MiC D E

Saturday In The Park

Chicago (Robert Lamm)4/4pop♩= 114
Em11
D13sus4
D7sus4
Em11
D13sus4
D7sus4
Cmaj7/G
Cmaj7/G
Amaj9
%
C/G
G/G
%
%
%
%
Cmaj7/G
Cmaj7/G
Amaj9
%
C/G
G/G
%
%
F/C
%
%
%
G♯/E♭
%
%
%
C/G
%
%
%
Cmaj7/G
Cmaj7/G
%
%
%
%
Cmaj7/G
Cmaj7/G
Amaj9
%
C/G
G/G
%
%
%
%
Cmaj7/G
Cmaj7/G
Amaj9
%
C/G
G/G
%
%
F/C
%
%
%
G♯/E♭
%
%
%
C/G
%
%
%
Cmaj7/G
Cmaj7/G

Chord Diagrams — Saturday In The Park in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Em11
EADGBE1
3frEADGBE321
5frEADGBE11x234
10frEADGBE111342
A9
EADGBE11x32
2frEADGBE431
5frEADGBE111324
11frEADGBEx21333
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
D13sus4
EADGBExx412
5frEADGBE111134
8frEADGBE4231
10frEADGBE1x234x
D7sus4
EADGBExx214
3frEADGBEx2341x
5frEADGBE111134
10frEADGBE111134
G6
EADGBE21
EADGBE2x143x
5frEADGBE111x34
10frEADGBE3333x1
Cmaj7/G
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Bm9
EADGBEx1234
3frEADGBE222x14
7frEADGBE111134
10frEADGBE112234
Amaj9
EADGBE11x34
4frEADGBE11243
5frEADGBEx2314
11frEADGBE22143x
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
Asus4
EADGBEx123
EADGBExx1
5frEADGBE111333
7frEADGBE11x234
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
C/G
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
G/G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
F/C
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
G♯/E♭
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432

Explore More

Saturday In The Park in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to A (descending whole step), A to G (descending whole step), G to A (ascending whole step), A to D (ascending perfect fourth), D to C (descending whole step), C to G (descending perfect fourth), G to F (descending whole step), F to G# (ascending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to E by major third.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 151 bars · Form: AB

Chords: Em7, Em11, A9, A7, D13sus4, D7sus4, G6, Cmaj7/G, F♯m7, Bm9, Amaj9, G, Asus4, D, C/G, G/G, F/C, G♯/E♭.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G