Do Re MiC D E

Saturday In The Park

Chicago (Robert Lamm)4/4pop♩= 114
Gm11
F13sus4
F7sus4
Gm11
F13sus4
F7sus4
D♯maj7/G
D♯maj7/G
Cmaj9
%
D♯/G
A♯/G
%
%
%
%
D♯maj7/G
D♯maj7/G
Cmaj9
%
D♯/G
A♯/G
%
%
G♯/C
%
%
%
B/E♭
%
%
%
D♯/G
%
%
%
D♯maj7/G
D♯maj7/G
%
%
%
%
D♯maj7/G
D♯maj7/G
Cmaj9
%
D♯/G
A♯/G
%
%
%
%
D♯maj7/G
D♯maj7/G
Cmaj9
%
D♯/G
A♯/G
%
%
G♯/C
%
%
%
B/E♭
%
%
%
D♯/G
%
%
%
D♯maj7/G
D♯maj7/G

Chord Diagrams — Saturday In The Park in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Gm11
5frEADGBE11xx23
EADGBE2x341x
3frEADGBE111114
8frEADGBE11x234
C9
7frEADGBE112344
EADGBE221334
7frEADGBE131214
9frEADGBExx2143
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
F13sus4
7frEADGBE44x213
EADGBE111324
EADGBE111234
8frEADGBE111134
F7sus4
8frEADGBE111134
EADGBE111134
6frEADGBE111234
10frEADGBE11xx34
A♯6
6frEADGBE113x24
EADGBE3333x1
5frEADGBE2134
10frEADGBEx4231x
D♯maj7/G
6frEADGBE111324
EADGBE11333x
3frEADGBE111x43
8frEADGBE111xx4
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
Dm9
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134
Cmaj9
5frEADGBE11113
EADGBEx3
EADGBE22143x
8frEADGBE11x234
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Csus4
3frEADGBE111234
EADGBE11x34
6frEADGBE23x14
8frEADGBE111234
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
D♯/G
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
A♯/G
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
G♯/C
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
B/E♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243

Explore More

Saturday In The Park in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to G (ascending unison), G to C (ascending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to D (ascending perfect fourth), D to C (descending whole step), C to A# (descending whole step), A# to C (ascending whole step), C to F (ascending perfect fourth), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to B (ascending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to G by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 151 bars · Form: AB

Chords: Gm7, Gm11, C9, C7, F13sus4, F7sus4, A♯6, D♯maj7/G, Am7, Dm9, Cmaj9, A♯, Csus4, F, D♯/G, A♯/G, G♯/C, B/E♭.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#