Do Re MiC D E

Saturday In The Park

Chicago (Robert Lamm)4/4pop♩= 114
F♯m11
E13sus4
E7sus4
F♯m11
E13sus4
E7sus4
Dmaj7/G
Dmaj7/G
Bmaj9
%
D/G
A/G
%
%
%
%
Dmaj7/G
Dmaj7/G
Bmaj9
%
D/G
A/G
%
%
G/C
%
%
%
A♯/E♭
%
%
%
D/G
%
%
%
Dmaj7/G
Dmaj7/G
%
%
%
%
Dmaj7/G
Dmaj7/G
Bmaj9
%
D/G
A/G
%
%
%
%
Dmaj7/G
Dmaj7/G
Bmaj9
%
D/G
A/G
%
%
G/C
%
%
%
A♯/E♭
%
%
%
D/G
%
%
%
Dmaj7/G
Dmaj7/G

Chord Diagrams — Saturday In The Park in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
F♯m11
4frEADGBE11xx23
EADGBE231
EADGBE111114
7frEADGBE11x234
B9
4frEADGBE111432
EADGBEx21334
7frEADGBE111324
8frEADGBExx2143
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
E13sus4
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
A6
5frEADGBE113x24
EADGBE1111x
4frEADGBE2x143x
10frEADGBEx4231x
Dmaj7/G
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯m9
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134
Bmaj9
6frEADGBE11243x
EADGBE22143x
4frEADGBE11xx34
8frEADGBExx2143
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Bsus4
4frEADGBE11xx24
2frEADGBE111234
7frEADGBE111234
9frEADGBE1144x3
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
D/G
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
A/G
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
G/C
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
A♯/E♭
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243

Explore More

Saturday In The Park in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to A (descending whole step), A to B (ascending whole step), B to E (ascending perfect fourth), E to D (descending whole step), D to A (descending perfect fourth), A to G (descending whole step), G to A# (ascending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to F# by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 151 bars · Form: AB

Chords: F♯m7, F♯m11, B9, B7, E13sus4, E7sus4, A6, Dmaj7/G, G♯m7, C♯m9, Bmaj9, A, Bsus4, E, D/G, A/G, G/C, A♯/E♭.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A