Do Re MiC D E

Saturday In The Park

Chicago (Robert Lamm)4/4pop♩= 114
Cm11
A♯13sus4
A♯7sus4
Cm11
A♯13sus4
A♯7sus4
G♯maj7/G
G♯maj7/G
Fmaj9
%
G♯/G
D♯/G
%
%
%
%
G♯maj7/G
G♯maj7/G
Fmaj9
%
G♯/G
D♯/G
%
%
C♯/C
%
%
%
E/E♭
%
%
%
G♯/G
%
%
%
G♯maj7/G
G♯maj7/G
%
%
%
%
G♯maj7/G
G♯maj7/G
Fmaj9
%
G♯/G
D♯/G
%
%
%
%
G♯maj7/G
G♯maj7/G
Fmaj9
%
G♯/G
D♯/G
%
%
C♯/C
%
%
%
E/E♭
%
%
%
G♯/G
%
%
%
G♯maj7/G
G♯maj7/G

Chord Diagrams — Saturday In The Park in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Cm11
EADGBE1111x2
EADGBE11x234
6frEADGBE111342
8frEADGBE111114
F9
EADGBExx2143
EADGBE111324
7frEADGBE221334
10frEADGBE1111x2
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯13sus4
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
A♯7sus4
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324
D♯6
EADGBE11xx34
4frEADGBEx4231x
6frEADGBE3333x1
10frEADGBE2x143x
G♯maj7/G
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
Fmaj9
7frEADGBEx2143x
EADGBE132
EADGBExx2314
10frEADGBE11xx34
D♯
8frEADGBE111xx4
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
Fsus4
8frEADGBE111234
EADGBE111234
3frEADGBExx1234
10frEADGBE11xx2x
A♯
8frEADGBE11x243
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
G♯/G
8frEADGBE111432
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
D♯/G
8frEADGBE111xx4
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
C♯/C
9frEADGBE111342
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
E/E♭
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432

Explore More

Saturday In The Park in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to G (ascending perfect fourth), G to F (descending whole step), F to D# (descending whole step), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to E (ascending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to C by major third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 151 bars · Form: AB

Chords: Cm7, Cm11, F9, F7, A♯13sus4, A♯7sus4, D♯6, G♯maj7/G, Dm7, Gm9, Fmaj9, D♯, Fsus4, A♯, G♯/G, D♯/G, C♯/C, E/E♭.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#