Do Re MiC D E

Saturday In The Park

Chicago (Robert Lamm)4/4pop♩= 114
Am11
G13sus4
G7sus4
Am11
G13sus4
G7sus4
Fmaj7/G
Fmaj7/G
Dmaj9
%
F/G
C/G
%
%
%
%
Fmaj7/G
Fmaj7/G
Dmaj9
%
F/G
C/G
%
%
A♯/C
%
%
%
C♯/E♭
%
%
%
F/G
%
%
%
Fmaj7/G
Fmaj7/G
%
%
%
%
Fmaj7/G
Fmaj7/G
Dmaj9
%
F/G
C/G
%
%
%
%
Fmaj7/G
Fmaj7/G
Dmaj9
%
F/G
C/G
%
%
A♯/C
%
%
%
C♯/E♭
%
%
%
F/G
%
%
%
Fmaj7/G
Fmaj7/G

Chord Diagrams — Saturday In The Park in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Am11
5frEADGBE111114
EADGBEx1
3frEADGBE111342
10frEADGBE11x234
D9
4frEADGBE221334
7frEADGBEx1234
9frEADGBE11234x
10frEADGBE111324
D7
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
G13sus4
3frEADGBE11x234
EADGBE321
3frEADGBE111324
9frEADGBEx21334
G7sus4
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
C6
3frEADGBE3333x1
EADGBEx4231
7frEADGBE2x143x
8frEADGBE11x324
Fmaj7/G
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Em9
EADGBE1243
EADGBE24
5frEADGBEx21344
10frEADGBE11324
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x
7frEADGBEx2314
10frEADGBE11x234
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
Dsus4
EADGBExx123
3frEADGBEx314
5frEADGBE111234
10frEADGBE111234
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
F/G
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
C/G
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
A♯/C
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
C♯/E♭
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342

Explore More

Saturday In The Park in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to B (ascending tritone), B to E (ascending perfect fourth), E to D (descending whole step), D to C (descending whole step), C to D (ascending whole step), D to G (ascending perfect fourth), G to F (descending whole step), F to C (descending perfect fourth), C to A# (descending whole step), A# to C# (ascending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to A by major third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 151 bars · Form: AB

Chords: Am7, Am11, D9, D7, G13sus4, G7sus4, C6, Fmaj7/G, Bm7, Em9, Dmaj9, C, Dsus4, G, F/G, C/G, A♯/C, C♯/E♭.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C