Do Re MiC D E

Saturday In The Park

Chicago (Robert Lamm)4/4pop♩= 114

Chord Diagrams — Saturday In The Park in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
D♯m11
4frEADGBE11x234
EADGBE11xx34
9frEADGBE111342
11frEADGBE111114
G♯9
4frEADGBE111324
EADGBE11234x
5frEADGBExx2143
10frEADGBE221334
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C♯13sus4
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234
C♯7sus4
4frEADGBE111134
EADGBE11x234
6frEADGBExxx123
9frEADGBE111134
F♯6
4frEADGBE111x34
EADGBE2x143x
EADGBE11x324
9frEADGBE3333x1
Bmaj7/G
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯m9
2frEADGBExx2413
4frEADGBE113x24
6frEADGBE111134
11frEADGBEx2134x
G♯maj9
3frEADGBE111243
EADGBE1111x4
4frEADGBE113224
10frEADGBE22143x
F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
G♯sus4
EADGBE11xx24
4frEADGBE111234
6frEADGBE11x234
11frEADGBE111234
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
B/G
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
F♯/G
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
E/C
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
G/E♭
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432

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Saturday In The Park in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to F# (descending whole step), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to F# (descending perfect fourth), F# to E (descending whole step), E to G (ascending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to D# by major third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 151 bars · Form: AB

Chords: D♯m7, D♯m11, G♯9, G♯7, C♯13sus4, C♯7sus4, F♯6, Bmaj7/G, Fm7, A♯m9, G♯maj9, F♯, G♯sus4, C♯, B/G, F♯/G, E/C, G/E♭.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#