Do Re MiC D E

Saturday In The Park

Chicago (Robert Lamm)4/4pop♩= 114
A♯m11
G♯13sus4
G♯7sus4
A♯m11
G♯13sus4
G♯7sus4
F♯maj7/G
F♯maj7/G
D♯maj9
%
F♯/G
C♯/G
%
%
%
%
F♯maj7/G
F♯maj7/G
D♯maj9
%
F♯/G
C♯/G
%
%
B/C
%
%
%
D/E♭
%
%
%
F♯/G
%
%
%
F♯maj7/G
F♯maj7/G
%
%
%
%
F♯maj7/G
F♯maj7/G
D♯maj9
%
F♯/G
C♯/G
%
%
%
%
F♯maj7/G
F♯maj7/G
D♯maj9
%
F♯/G
C♯/G
%
%
B/C
%
%
%
D/E♭
%
%
%
F♯/G
%
%
%
F♯maj7/G
F♯maj7/G

Chord Diagrams — Saturday In The Park in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
A♯m11
6frEADGBE111114
4frEADGBE111342
8frEADGBE11xx23
11frEADGBE11x234
D♯9
5frEADGBEx21334
EADGBExx132
10frEADGBE3142xx
11frEADGBE111324
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯13sus4
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
C♯6
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324
F♯maj7/G
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Fm9
EADGBEx1234
EADGBE111134
6frEADGBEx21344
11frEADGBE21344
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x
8frEADGBE1111x4
11frEADGBExx2314
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
D♯sus4
EADGBExx1234
6frEADGBE111234
8frEADGBE11xx2x
11frEADGBE111234
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
F♯/G
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
C♯/G
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
B/C
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
D/E♭
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342

Explore More

Saturday In The Park in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth), F to D# (descending whole step), D# to C# (descending whole step), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to B (descending whole step), B to D (ascending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to A# by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 151 bars · Form: AB

Chords: A♯m7, A♯m11, D♯9, D♯7, G♯13sus4, G♯7sus4, C♯6, F♯maj7/G, Cm7, Fm9, D♯maj9, C♯, D♯sus4, G♯, F♯/G, C♯/G, B/C, D/E♭.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#