Do Re MiC D E

Saturday In The Park

Chicago (Robert Lamm)4/4pop♩= 114

Chord Diagrams — Saturday In The Park in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
G♯m11
4frEADGBE111114
EADGBE111342
6frEADGBE11xx23
9frEADGBE11x334
C♯9
EADGBE221334
8frEADGBE3142xx
9frEADGBE111324
10frEADGBExx2143
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F♯13sus4
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
F♯7sus4
EADGBE111134
4frEADGBExx1324
7frEADGBE11x234
9frEADGBE111134
B6
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
Emaj7/G
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
C♯maj9
3frEADGBEx2143x
EADGBE1111x4
8frEADGBE111243
10frEADGBExx2143
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C♯sus4
4frEADGBE111234
EADGBEx3412x
6frEADGBE2x1114
9frEADGBE111234
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
E/G
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
B/G
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A/C
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
C/E♭
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342

Explore More

Saturday In The Park in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to B (descending whole step), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to B (descending perfect fourth), B to A (descending whole step), A to C (ascending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to G# by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 151 bars · Form: AB

Chords: G♯m7, G♯m11, C♯9, C♯7, F♯13sus4, F♯7sus4, B6, Emaj7/G, A♯m7, D♯m9, C♯maj9, B, C♯sus4, F♯, E/G, B/G, A/C, C/E♭.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B