Do Re MiC D E

You Better Leave It Alone

Jordan Clifford4/4medium-up-swing
F13
%
%
%
A♯13
%
%
F13
%
D♯13
D7♯5
C13
F13
C13
F13
%
%
%
A♯13
%
%
F13
%
D♯13
D7♯5
C13
%

Chord Diagrams — You Better Leave It Alone in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
A♯13
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
D7♯5
5frEADGBE11x432
EADGBExx412
4frEADGBEx213x4
10frEADGBE1x234x
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
C13
6frEADGBE222341
2frEADGBE44x213
3frEADGBE111134
8frEADGBE111324
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2

Explore More

You Better Leave It Alone in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to F by unison.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: A

Chords: F13, A♯13, A♯7, D♯13, D7♯5, Gm9, C13, F7.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F