Do Re MiC D E

You Better Leave It Alone

Jordan Clifford4/4medium-up-swing
F♯13
%
%
%
B13
%
%
F♯13
%
E13
D♯7♯5
C♯13
F♯13
C♯13
F♯13
%
%
%
B13
%
%
F♯13
%
E13
D♯7♯5
C♯13
%

Chord Diagrams — You Better Leave It Alone in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
B13
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
D♯7♯5
EADGBExx1423
6frEADGBE11x432
9frEADGBE3241
11frEADGBE1x234x
G♯m9
EADGBE11143
4frEADGBE111134
7frEADGBE221341
9frEADGBEx21344
C♯13
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
9frEADGBE111234
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134

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You Better Leave It Alone in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: A

Chords: F♯13, B13, B7, E13, D♯7♯5, G♯m9, C♯13, F♯7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#