Do Re MiC D E

You Better Leave It Alone

Jordan Clifford4/4medium-up-swing
C13
%
%
%
F13
%
%
C13
%
A♯13
A7♯5
G13
C13
G13
C13
%
%
%
F13
%
%
C13
%
A♯13
A7♯5
G13
%

Chord Diagrams — You Better Leave It Alone in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C13
3frEADGBE111134
2frEADGBE44x213
6frEADGBE222341
8frEADGBE111324
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
A♯13
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
A7♯5
EADGBEx321
EADGBE11x23
5frEADGBE11x23
7frEADGBExx1423
Dm9
EADGBE132
3frEADGBEx21344
5frEADGBEx1423
10frEADGBE111134
G13
EADGBE321
3frEADGBE11x234
3frEADGBE111324
9frEADGBEx21334
C7
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132

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You Better Leave It Alone in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A (descending half step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to C by unison.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: A

Chords: C13, F13, F7, A♯13, A7♯5, Dm9, G13, C7.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C