Do Re MiC D E

You Better Leave It Alone

Jordan Clifford4/4medium-up-swing
E13
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A13
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%
E13
%
D13
C♯7♯5
B13
E13
B13
E13
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%
A13
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%
E13
%
D13
C♯7♯5
B13
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Chord Diagrams — You Better Leave It Alone in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
A13
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
D13
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
C♯7♯5
4frEADGBE11x432
EADGBEx4321
7frEADGBE431x2
9frEADGBE1x234x
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
B13
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2

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You Better Leave It Alone in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to E by unison.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: A

Chords: E13, A13, A7, D13, C♯7♯5, F♯m9, B13, E7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E