Do Re MiC D E

You Better Leave It Alone

Jordan Clifford4/4medium-up-swing
A♯13
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D♯13
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%
A♯13
%
G♯13
G7♯5
F13
A♯13
F13
A♯13
%
%
%
D♯13
%
%
A♯13
%
G♯13
G7♯5
F13
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Chord Diagrams — You Better Leave It Alone in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯13
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
G7♯5
EADGBE1x234x
EADGBE4312
5frEADGBExx1423
10frEADGBE11x432
Cm9
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x

Explore More

You Better Leave It Alone in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: A

Chords: A♯13, D♯13, D♯7, G♯13, G7♯5, Cm9, F13, A♯7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#