Do Re MiC D E

You Better Leave It Alone

Jordan Clifford4/4medium-up-swing
B13
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E13
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B13
%
A13
G♯7♯5
F♯13
B13
F♯13
B13
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%
E13
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%
B13
%
A13
G♯7♯5
F♯13
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Chord Diagrams — You Better Leave It Alone in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B13
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
A13
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
C♯m9
EADGBEx21344
5frEADGBE222x14
7frEADGBEx13244
9frEADGBE111134
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132

Explore More

You Better Leave It Alone in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: A

Chords: B13, E13, E7, A13, G♯7♯5, C♯m9, F♯13, B7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B