Do Re MiC D E

You Better Leave It Alone

Jordan Clifford4/4medium-up-swing
A13
%
%
%
D13
%
%
A13
%
G13
F♯7♯5
E13
A13
E13
A13
%
%
%
D13
%
%
A13
%
G13
F♯7♯5
E13
%

Chord Diagrams — You Better Leave It Alone in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A13
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
D13
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
G13
3frEADGBE11x234
EADGBE321
3frEADGBE111324
9frEADGBEx21334
F♯7♯5
EADGBE1x234x
4frEADGBExx1423
7frEADGBEx4312
9frEADGBE11x432
Bm9
EADGBEx1234
3frEADGBE222x14
7frEADGBE111134
10frEADGBE112234
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324

Explore More

You Better Leave It Alone in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to F# (descending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: A

Chords: A13, D13, D7, G13, F♯7♯5, Bm9, E13, A7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A