Do Re MiC D E

You Better Leave It Alone

Jordan Clifford4/4medium-up-swing
C♯13
%
%
%
F♯13
%
%
C♯13
%
B13
A♯7♯5
G♯13
C♯13
G♯13
C♯13
%
%
%
F♯13
%
%
C♯13
%
B13
A♯7♯5
G♯13
%

Chord Diagrams — You Better Leave It Alone in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯13
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
B13
EADGBE44x213
EADGBE111134
4frEADGBE111432
7frEADGBE111234
A♯7♯5
EADGBE11x432
6frEADGBE1x234x
8frEADGBExx1423
12frEADGBEx213x4
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132

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You Better Leave It Alone in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: A

Chords: C♯13, F♯13, F♯7, B13, A♯7♯5, D♯m9, G♯13, C♯7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#