Pee Wee in F

Tony Williams()swing
Do Re MiC D E
A
D♯/C♯
F/C♯
AMaj7♯11/D♯
A♯Maj7♯11/E
C♭Maj7♯11/G♭
FMaj7/G
E/G
D♯/F
Cm/C♯
F♯Maj13♯11
Am7/G
G13♭9
D♯add4
C♯/F
F♯dim♯7
G♯madd2/C♯
F/C♯

Chord Diagrams — Pee Wee in F (Guitar)

Display
FingerNoteDegree
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
D♯/C♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
F/C♯
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
AMaj7♯11/D♯
A♯Maj7♯11/E
BMaj7♯11/G♭
FMaj7/G
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
E/G
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
D♯/F
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
Cm/C♯
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
F♯Maj13♯11
Am7/G
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
G13♭9
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
D♯add4
C♯/F
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
F♯dim♯7
G♯madd2/C♯

Pee Wee in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through C# to D# (ascending whole step), D# to F (ascending whole step), F to D (descending minor third), D to A (descending perfect fourth), A to A# (ascending half step), A# to Cb (ascending whole step), Cb to F (ascending perfect fourth), F to E (descending half step), E to D# (descending half step), D# to C (descending minor third), C to F# (ascending tritone), F# to A (ascending minor third), A to G (descending whole step), G to D# (descending major third), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to G# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to C# by perfect fourth.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 21 bars · Form: A

Chords: C♯Maj7, D♯/C♯, F/C♯, Dm7, AMaj7♯11/D♯, A♯Maj7♯11/E, C♭Maj7♯11/G♭, FMaj7/G, E/G, D♯/F, Cm/C♯, F♯Maj13♯11, Am7/G, G13♭9, D♯add4, C♯/F, F♯dim♯7, G♯madd2/C♯.

Scales for Improvisation F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F