Pee Wee in C#

Tony Williams()waltz
Do Re MiC D E
A
B/A
C♯/A
FMaj7♯11/B
F♯Maj7♯11/C
C♭Maj7♯11/G♭
C♯Maj7/D♯
C/D♯
B/C♯
G♯m/A
DMaj13♯11
Fm7/D♯
D♯13♭9
A/C♯
Badd4
Ddim♯7
Emadd2/A
C♯/A

Chord Diagrams — Pee Wee in C# (Guitar)

Display
FingerNoteDegree
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
B/A
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
C♯/A
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
FMaj7♯11/B
F♯Maj7♯11/C
BMaj7♯11/G♭
C♯Maj7/D♯
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
C/D♯
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
B/C♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
G♯m/A
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
DMaj13♯11
Fm7/D♯
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
D♯13♭9
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
A/C♯
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
Badd4
Ddim♯7
Emadd2/A

Pee Wee in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to B (ascending whole step), B to C# (ascending whole step), C# to A# (descending minor third), A# to F (descending perfect fourth), F to F# (ascending half step), F# to Cb (ascending tritone), Cb to C# (ascending half step), C# to C (descending half step), C to B (descending half step), B to G# (descending minor third), G# to D (ascending tritone), D to F (ascending minor third), F to D# (descending whole step), D# to A (ascending tritone), A to B (ascending whole step), B to D (ascending minor third), D to E (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 21 bars · Form: A

Chords: AMaj7, B/A, C♯/A, A♯m7, FMaj7♯11/B, F♯Maj7♯11/C, C♭Maj7♯11/G♭, C♯Maj7/D♯, C/D♯, B/C♯, G♯m/A, DMaj13♯11, Fm7/D♯, D♯13♭9, A/C♯, Badd4, Ddim♯7, Emadd2/A.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#