Pee Wee in G#

Tony Williams()swing
Do Re MiC D E
A
F♯/E
G♯/E
CMaj7♯11/F♯
C♯Maj7♯11/G
C♭Maj7♯11/G♭
G♯Maj7/A♯
G/A♯
F♯/G♯
D♯m/E
AMaj13♯11
Cm7/A♯
A♯13♭9
F♯add4
E/G♯
Adim♯7
Bmadd2/E
G♯/E

Chord Diagrams — Pee Wee in G# (Guitar)

Display
FingerNoteDegree
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
F♯/E
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
G♯/E
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
CMaj7♯11/F♯
C♯Maj7♯11/G
BMaj7♯11/G♭
G♯Maj7/A♯
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
G/A♯
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
F♯/G♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
D♯m/E
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
AMaj13♯11
Cm7/A♯
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
A♯13♭9
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
F♯add4
E/G♯
4frEADGBE111432
EADGBE2312frEADGBExx12437frEADGBE111234
Adim♯7
Bmadd2/E

Pee Wee in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to G# (ascending whole step), G# to F (descending minor third), F to C (descending perfect fourth), C to C# (ascending half step), C# to Cb (descending half step), Cb to G# (descending major third), G# to G (descending half step), G to F# (descending half step), F# to D# (descending minor third), D# to A (ascending tritone), A to C (ascending minor third), C to A# (descending whole step), A# to F# (descending major third), F# to E (descending whole step), E to A (ascending perfect fourth), A to B (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 21 bars · Form: A

Chords: EMaj7, F♯/E, G♯/E, Fm7, CMaj7♯11/F♯, C♯Maj7♯11/G, C♭Maj7♯11/G♭, G♯Maj7/A♯, G/A♯, F♯/G♯, D♯m/E, AMaj13♯11, Cm7/A♯, A♯13♭9, F♯add4, E/G♯, Adim♯7, Bmadd2/E.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#