Pee Wee in D#

Tony Williams()waltz
Do Re MiC D E
A
C♯/B
D♯/B
GMaj7♯11/C♯
G♯Maj7♯11/D
C♭Maj7♯11/G♭
D♯Maj7/F
D/F
C♯/D♯
A♯m/B
EMaj13♯11
Gm7/F
F13♭9
B/D♯
C♯add4
Edim♯7
F♯madd2/B
D♯/B

Chord Diagrams — Pee Wee in D# (Guitar)

Display
FingerNoteDegree
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
C♯/B
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
D♯/B
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
GMaj7♯11/C♯
G♯Maj7♯11/D
BMaj7♯11/G♭
D♯Maj7/F
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
D/F
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
C♯/D♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
A♯m/B
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
EMaj13♯11
Gm7/F
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
F13♭9
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
C♯add4
Edim♯7
F♯madd2/B

Pee Wee in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through B to C# (ascending whole step), C# to D# (ascending whole step), D# to C (descending minor third), C to G (descending perfect fourth), G to G# (ascending half step), G# to Cb (ascending major third), Cb to D# (ascending minor third), D# to D (descending half step), D to C# (descending half step), C# to A# (descending minor third), A# to E (ascending tritone), E to G (ascending minor third), G to F (descending whole step), F to B (ascending tritone), B to C# (ascending whole step), C# to E (ascending minor third), E to F# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 21 bars · Form: A

Chords: BMaj7, C♯/B, D♯/B, Cm7, GMaj7♯11/C♯, G♯Maj7♯11/D, C♭Maj7♯11/G♭, D♯Maj7/F, D/F, C♯/D♯, A♯m/B, EMaj13♯11, Gm7/F, F13♭9, B/D♯, C♯add4, Edim♯7, F♯madd2/B.

Scales for Improvisation D# bebop minor, D# bebop.

Diatonic chords: See all chords in the key of D#