Pee Wee in A#

Tony Williams()swing
Do Re MiC D E
A
G♯/F♯
A♯/F♯
DMaj7♯11/G♯
D♯Maj7♯11/A
C♭Maj7♯11/G♭
A♯Maj7/C
A/C
G♯/A♯
Fm/F♯
BMaj13♯11
Dm7/C
C13♭9
G♯add4
F♯/A♯
Bdim♯7
C♯madd2/F♯
A♯/F♯

Chord Diagrams — Pee Wee in A# (Guitar)

Display
FingerNoteDegree
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
G♯/F♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
A♯/F♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
DMaj7♯11/G♯
D♯Maj7♯11/A
BMaj7♯11/G♭
A♯Maj7/C
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
A/C
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
G♯/A♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
Fm/F♯
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
BMaj13♯11
Dm7/C
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
C13♭9
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
G♯add4
F♯/A♯
6frEADGBE111432
EADGBE1113424frEADGBE11x2439frEADGBE111234
Bdim♯7
C♯madd2/F♯

Pee Wee in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G# (ascending whole step), G# to A# (ascending whole step), A# to G (descending minor third), G to D (descending perfect fourth), D to D# (ascending half step), D# to Cb (descending minor third), Cb to A# (descending whole step), A# to A (descending half step), A to G# (descending half step), G# to F (descending minor third), F to B (ascending tritone), B to D (ascending minor third), D to C (descending whole step), C to G# (descending major third), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to C# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 21 bars · Form: A

Chords: F♯Maj7, G♯/F♯, A♯/F♯, Gm7, DMaj7♯11/G♯, D♯Maj7♯11/A, C♭Maj7♯11/G♭, A♯Maj7/C, A/C, G♯/A♯, Fm/F♯, BMaj13♯11, Dm7/C, C13♭9, G♯add4, F♯/A♯, Bdim♯7, C♯madd2/F♯.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#