Do Re MiC D E

Pee Wee

Tony Williams3/4waltz
G♯/D♭
A♯/D♭
DMaj7♯11/E♭
D♯Maj7♯11/E
C♭Maj7♯11/G♭
A♯Maj7/G
A/G
G♯/F
Fm/D♭
BMaj13♯11
Dm7/G
C13♭9
F♯/F
G♯add4
Bdim♯7
C♯madd2/D♭
A♯/D♭

Chord Diagrams — Pee Wee in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯Maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
G♯/D♭
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
A♯/D♭
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
DMaj7♯11/E♭
D♯Maj7♯11/E
BMaj7♯11/G♭
A♯Maj7/G
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
A/G
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
G♯/F
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
Fm/D♭
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
BMaj13♯11
Dm7/G
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
C13♭9
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
F♯/F
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
G♯add4
Bdim♯7
C♯madd2/D♭

Explore More

Pee Wee in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G# (ascending whole step), G# to A# (ascending whole step), A# to G (descending minor third), G to D (descending perfect fourth), D to D# (ascending half step), D# to Cb (descending minor third), Cb to A# (descending whole step), A# to A (descending half step), A to G# (descending half step), G# to F (descending minor third), F to B (ascending tritone), B to D (ascending minor third), D to C (descending whole step), C to F# (ascending tritone), F# to G# (ascending whole step), G# to B (ascending minor third), B to C# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 21 bars · Form: A

Chords: F♯Maj7, G♯/D♭, A♯/D♭, Gm7, DMaj7♯11/E♭, D♯Maj7♯11/E, C♭Maj7♯11/G♭, A♯Maj7/G, A/G, G♯/F, Fm/D♭, BMaj13♯11, Dm7/G, C13♭9, F♯/F, G♯add4, Bdim♯7, C♯madd2/D♭.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#