Pee Wee in A

Tony Williams()swing
Do Re MiC D E
A
G/F
A/F
C♯Maj7♯11/G
DMaj7♯11/G♯
C♭Maj7♯11/G♭
AMaj7/B
G♯/B
G/A
Em/F
A♯Maj13♯11
C♯m7/B
B13♭9
Gadd4
F/A
A♯dim♯7
Cmadd2/F
A/F

Chord Diagrams — Pee Wee in A (Guitar)

Display
FingerNoteDegree
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
G/F
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
A/F
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
C♯Maj7♯11/G
DMaj7♯11/G♯
BMaj7♯11/G♭
AMaj7/B
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
G♯/B
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
G/A
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
Em/F
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
A♯Maj13♯11
C♯m7/B
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
B13♭9
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
Gadd4
F/A
5frEADGBE111432
EADGBE1113423frEADGBE11x2438frEADGBE111234
A♯dim♯7
Cmadd2/F

Pee Wee in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F to G (ascending whole step), G to A (ascending whole step), A to F# (descending minor third), F# to C# (descending perfect fourth), C# to D (ascending half step), D to Cb (descending whole step), Cb to A (descending minor third), A to G# (descending half step), G# to G (descending half step), G to E (descending minor third), E to A# (ascending tritone), A# to C# (ascending minor third), C# to B (descending whole step), B to G (descending major third), G to F (descending whole step), F to A# (ascending perfect fourth), A# to C (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to F by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 21 bars · Form: A

Chords: FMaj7, G/F, A/F, F♯m7, C♯Maj7♯11/G, DMaj7♯11/G♯, C♭Maj7♯11/G♭, AMaj7/B, G♯/B, G/A, Em/F, A♯Maj13♯11, C♯m7/B, B13♭9, Gadd4, F/A, A♯dim♯7, Cmadd2/F.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A