Pee Wee in B

Tony Williams()swing
Do Re MiC D E
A
A/G
B/G
D♯Maj7♯11/A
EMaj7♯11/A♯
C♭Maj7♯11/G♭
BMaj7/C♯
A♯/C♯
A/B
F♯m/G
CMaj13♯11
D♯m7/C♯
C♯13♭9
Aadd4
G/B
Cdim♯7
Dmadd2/G
B/G

Chord Diagrams — Pee Wee in B (Guitar)

Display
FingerNoteDegree
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
A/G
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
B/G
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
D♯Maj7♯11/A
EMaj7♯11/A♯
BMaj7♯11/G♭
BMaj7/C♯
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
A♯/C♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
A/B
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
F♯m/G
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
CMaj13♯11
D♯m7/C♯
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
C♯13♭9
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
Aadd4
G/B
7frEADGBE111432
EADGBE2133frEADGBE1113425frEADGBE11x243
Cdim♯7
Dmadd2/G

Pee Wee in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through G to A (ascending whole step), A to B (ascending whole step), B to G# (descending minor third), G# to D# (descending perfect fourth), D# to E (ascending half step), E to Cb (descending major third), Cb to B (descending half step), B to A# (descending half step), A# to A (descending half step), A to F# (descending minor third), F# to C (ascending tritone), C to D# (ascending minor third), D# to C# (descending whole step), C# to A (descending major third), A to G (descending whole step), G to C (ascending perfect fourth), C to D (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 21 bars · Form: A

Chords: GMaj7, A/G, B/G, G♯m7, D♯Maj7♯11/A, EMaj7♯11/A♯, C♭Maj7♯11/G♭, BMaj7/C♯, A♯/C♯, A/B, F♯m/G, CMaj13♯11, D♯m7/C♯, C♯13♭9, Aadd4, G/B, Cdim♯7, Dmadd2/G.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B