Do Re MiC D E

Pee Wee

Tony Williams3/4waltz
E/D♭
F♯/D♭
A♯Maj7♯11/E♭
BMaj7♯11/E
C♭Maj7♯11/G♭
F♯Maj7/G
F/G
E/F
C♯m/D♭
GMaj13♯11
A♯m7/G
G♯13♭9
D/F
Eadd4
Gdim♯7
Amadd2/D♭
F♯/D♭

Chord Diagrams — Pee Wee in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
DMaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
E/D♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
F♯/D♭
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
A♯Maj7♯11/E♭
BMaj7♯11/E
BMaj7♯11/G♭
F♯Maj7/G
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324
F/G
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
E/F
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
C♯m/D♭
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
GMaj13♯11
A♯m7/G
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
G♯13♭9
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
D/F
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Eadd4
Gdim♯7
Amadd2/D♭

Explore More

Pee Wee in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D to E (ascending whole step), E to F# (ascending whole step), F# to D# (descending minor third), D# to A# (descending perfect fourth), A# to B (ascending half step), B to Cb (ascending half step), Cb to F# (ascending tritone), F# to F (descending half step), F to E (descending half step), E to C# (descending minor third), C# to G (ascending tritone), G to A# (ascending minor third), A# to G# (descending whole step), G# to D (ascending tritone), D to E (ascending whole step), E to G (ascending minor third), G to A (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 21 bars · Form: A

Chords: DMaj7, E/D♭, F♯/D♭, D♯m7, A♯Maj7♯11/E♭, BMaj7♯11/E, C♭Maj7♯11/G♭, F♯Maj7/G, F/G, E/F, C♯m/D♭, GMaj13♯11, A♯m7/G, G♯13♭9, D/F, Eadd4, Gdim♯7, Amadd2/D♭.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#