Pee Wee in F#

Tony Williams()swing
Do Re MiC D E
A
E/D
F♯/D
A♯Maj7♯11/E
BMaj7♯11/F
C♭Maj7♯11/G♭
F♯Maj7/G♯
F/G♯
E/F♯
C♯m/D
GMaj13♯11
A♯m7/G♯
G♯13♭9
Eadd4
D/F♯
Gdim♯7
Amadd2/D
F♯/D

Chord Diagrams — Pee Wee in F# (Guitar)

Display
FingerNoteDegree
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
E/D
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
F♯/D
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
A♯Maj7♯11/E
BMaj7♯11/F
BMaj7♯11/G♭
F♯Maj7/G♯
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
F/G♯
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
E/F♯
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
C♯m/D
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
GMaj13♯11
A♯m7/G♯
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
G♯13♭9
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
Eadd4
D/F♯
2frEADGBE111432
EADGBExx1325frEADGBE11123410frEADGBE111342
Gdim♯7
Amadd2/D

Pee Wee in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D to E (ascending whole step), E to F# (ascending whole step), F# to D# (descending minor third), D# to A# (descending perfect fourth), A# to B (ascending half step), B to Cb (ascending half step), Cb to F# (ascending tritone), F# to F (descending half step), F to E (descending half step), E to C# (descending minor third), C# to G (ascending tritone), G to A# (ascending minor third), A# to G# (descending whole step), G# to E (descending major third), E to D (descending whole step), D to G (ascending perfect fourth), G to A (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 21 bars · Form: A

Chords: DMaj7, E/D, F♯/D, D♯m7, A♯Maj7♯11/E, BMaj7♯11/F, C♭Maj7♯11/G♭, F♯Maj7/G♯, F/G♯, E/F♯, C♯m/D, GMaj13♯11, A♯m7/G♯, G♯13♭9, Eadd4, D/F♯, Gdim♯7, Amadd2/D.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#